Monday, September 16, 2019

The Destruction of the Country House.


Something I feel passionate about is the staggering loss of Britains large house since the first world war and up until quite recently. Since 1900 more than 1200 large country house have been destroyed and amongst them some 378 very important ones due to age or their architectural value.

Now many people would say ' but this only concerns the very rich' whereas was are talking about our heritage, our past, the thing we build our future on. One is six country mansions have gone in this period. One of the reasons the owners allowed this is due to inheritance tax or death duty. 

In 1910 it was 15% on taxable assets over 1,000,000 pounds but by 1949 it had gone up to 80% ! Left wing governements saw no reason not to impose this but when both a father and son died, say during the war, the taxes had to be paid twice! This was a period when great paintings and furniture were not fetching the prices they do today so selling off the assets to pay the taxes wasn't an option and institutions like the 'National Trust' either didn't exist as such or would only take on properties with an endowment to sustain them. Owners could just go ahead and demolish their homes, selling off the stone and trims for mere pounds.

In 1994 Sir Roy Strong, director of the Victoria and Albert Museum in London put on an exibition on ' The Destruction of the Country House', which was not only a brave move but it brought home to visitors just what had been lost of their heritage. Some of the surviving houses pale in comparaison to what was demolished.



I bought this book some time ago, you can still find it for between 60 and 150 pounds on Amazon.

As a teenager I used to play in a huge Georgian mansion near my village called Tarbat House, built in 1787 that had been empty for some time. It is actually grade A listed!  It had a huge hallway with a pair of marble fireplaces opposite each other and the plaster work around the top of the walls depicted stag and boar head in relief. The huge staircase would up to three floors and at its base sat a huge enamelled iron stove used to heat the stairwell. Each floor had suites of rooms behing green baize doors, all very Downton Abbey. The windows were shuttered and huge curtain poles still had their ornate brass rings on them that once held velvet drapes. There was even enormous mahogany wardrobes in the bedrooms, too large to be taken out in one piece. On the top floor there were the servants rooms with their brass beds and small wardrobes still in place. The walls still had their original wallpaper from the late 19th century and there was even some clothes in the cupboards. A small stair led up to the roof from where you could see the whole estate. The kitchens in a separate building still had their huge cast iron ranges and long kitchen tables where food was prepared in the past. This building was linked to the house by a corridor and the reason this was so was in case of fire mainly. 
Across from the house lay a huge walled garden for vegetables and fruit and on each corner was a pavillion in divers styles. One such building was Chinese in style and held the laundry and another was a thatched cottage for the gardener. This area was severly neglected and overgrown but there was still a lot of fruit trees.  The rododenrons were ten metres high and gorgeous.
I went back some years later to see that the lead roof had been stripped off and the stove and wardrobes and kitchen fitting had been stolen. the rain did it's best to rot the wonderful wood floors and slowly it fell in until some idiot decided to set it on fire. Today it is still standing and clad in ivy and on the 'Buildings at Risk register'. 
Below is Tarbat house as it was and Following the state it fell into.
This was how I last saw it.
I had not the courage to go back and see this terrible site.


I will add here a strange coincidence. On my recent flight to Scotland I sat next to a piano teacher who was going to the Ullapool to give a concert and when I said where I was from she said ' oh my nephew has a property near there'. OK what are the odds ! Yes it was Tabart House. Years of asking who owned it and there was the answer. She said that he had turned the kitchen quarters into a house, keeping the full ceiling hight so maybe he has some good taste but the house itself he cannot afford to restore, much is the pity. I used to fantasise as a kid that one day I would own it and restore it but the sheer cost in today's money would make that impossible.

Below is Rosehaugh House that stood near my home and was a most impressive house. It was demolished in 1959, the huge tower was the last to go and schoolchildren were invited to Watch.




A picture of its final days. Today it hardly seems possible especially when we know how much it costs to actually build in stone and have woodwork done specifically.


Here is Balintore Castle Scotland still standing and in the process of restoration by a lovely enthousiastic young man called David. You can follow his amazing Journey on his blog.


https://balintorecastle.blogspot.com/





Below are some of the lost houses that figure in the book, all gone now.



















The house below is absolutely vaste but that didn't save it from demolition. Some of these houses had up to 400 doors alone! One such house so resisted demolition that they had to dynamite it.




Some links.

https://en.wikipedia.org/wiki/Destruction_of_country_houses_in_20th-century_Britain


http://www.lostheritage.org.uk/index.html




Riding the wave.

I had wanted to do the parquet in one day, a long day but in hindsite not the best idea.

You may think that this looks quite good but below you can see my boobies!

I cut all the pieces on my Proxon table saw after many attempts to get the size right for both pieces.


Another dry fit to trim the half millimetres here and there.



When it was all done I went over and filled in the gaps with slivers of wood, painstaking but worth it and better than wood filler.
These close ups don't do me any favours! 


Before and after.


Now this is the reason why I said that doing it in one day was not a great idea. I had laid out a 2 cm grid to keep me parallel in both directions but for some reason at this area it just went OFF! Yikes.
I chose to finish all the areas around this one and get back to it later. I had to cut a few pieces to fit and just accept that parquet floors are not perfect in any house and besides what are rugs for!


I hesitated over the best way to do this junction and finally went with small strips, Don't sweat the stuff that will not be seen folks.
I might glue in a small strip of brass for effect later.




It's a very basic pattern finally after much research concerning parquet design.

Another little gap, I will stain the area around the edge of the base mdf before fixing the floor so that any gap will be the same colour as the floor.


After staining, it looks rather red and will affect my final colour choice for the walls. I had intended on faded pink but I will have to do more tests. 


Here it doesn't look so red, it's more like the above photo in reality.


Now onto finishing the cornicing around the ceiling and cutting out the ceiling board on which I will glue the ceiling rose and then the final floor board in mdf on which the room above will be built. The gap between both will hold several wires. I have just sourced a 'picture light' in the UK to put on the left wall over the miniature picture I bought previously so that has to be calculated and a hole drilled.

I have once more changed my mind for the over mantle lights and until they are chosen I need to keep access to the room and not glue in the side wall. 
Glueing on the finished floor will need a lot of moral strength and maybe some alcohol but I don't drink more the pity. 
I will pre glue the mdf base and let it dry then glue the card and quickly weight down as much as I can, I think the best way is large pieces of scrap mdf over the floor then weights rather than just weights. The pre glueing will give it something to 'bite' on and stop one side sucking up the water in the glue too quickly, I will keep you posted, off to look out some vodka!

Saturday, September 14, 2019

Back in the saddle again.

Before I began Ramsay House I read many many blogs and articles, I did my research as I do for any project. Sometimes in life it stops at research because we realise that what we planned to do is beyond us. I tend to go with the saying ' He knew it not to be impossible so he did it'. 
One thing that I soon realised that not being as pliable as I was in my Younger years the idea of 'getting into' these rooms to decorate was going to be a problem. I read our lovely Giacs blog where he cracked ribs redecorating his ballroom!
I decided to make the core of the house, the hallway and stairs and landings as one tall edifice and then add the rooms on each side as I went, giving me access to the spaces.
Here you can see I cut out what is in fact a large and tall window which will be mullioned with metal cross bars. I bought some lead tape to try to make this happen. 
The wall panel slots into a gap in the side and in the end the whole side panels of the build will have an added layer of mdf added to 'knit' all the layers together and give more depth to the windows.
To balance this window when I get round to the facade I will add a dummy window to the left as was often the case in architecture of the period.



This is the view from the hallway through the drawing room to the new window. The idea being that you can peek through the side windows and get a view of the rooms from a different angle.


As I needed the wall to be deeper than the thickness of the mdf I decided to line it with finer mdf and use the gap to hide wiring etc. These are some of my antique irons, they have felt glued Under them to protect the items weighted down.





The panel set in and the second layer cut with an added piece below the window to give depth.


At this stage I decided to make the Template for the parquet flooring as this would have to be installed before the wall was fixed in place and until the wall is fixed  I cannot finish the cornicing around the ceiling and so forth. I used large pieces of kraft card with a gum paper join.


Below are two photo used for inspiration. I will add shutters at one point. I decided not to make a window seat but make the added depth higher to put some potted plants on later. 

My window is deeper than these but too late to do anything about that!


The wall panel prior to decorating.



Skirting/base boards some chair rail trim, a piece of 'blind' wood at the top to give depth to the cornicing and some mount board panels layered over white kraft card. I 'framed' the window but it still needs some extra molding.


The wall dry fitted with a chair to check scale, the book case will be glued in place knitting it all together.


Another view, realising that what I thought was going to be a small room is in fact a good size.



In this view you can see the ceiling of the dining room with a ceiling rose ready to take a chandelier , working or not, because the holes you see are for LED lighting. No one will actually see this ceiling!


Below my inspiration for the ceiling.


The panelling painted up and not yet patinated. The walls will be pink, unless that changes. The colour of the woodwork is almost the same as the hallway colour but is in reality different. it's Farrow & Ball 'Shaded White', they do so many 'off' colours.

I will say this now, DO NOT CUT OUT SOCKET HOLES AT 2 AM !! I decided last night to check my workroom before going to bed around 1h30 and had the idea before I forgot to cut out the hole for the electric socket and messed it up so spackeling I will go !

Nothing here is glued in place as the floor has to be done first.



Beginning the parquet floor, so much fun to be had, except cutting out the strips.


Below is a rough idea of what the windows will be like, stone mullions with iron and lead glazing bars. Initially I was going to do a classical Georgian English facade but on seeing so many wonderful buildings in Scotland I decided to go for an older style. I add that it will be a LOT more work.



Thursday, September 5, 2019

If Icon then you can too

I am still messing about with post storage triage and totally frustrated about not working on Ramsay House but the end is in sight! I also fell ill with bronchitis and that took its toll too.

I absolutely had to post the images of my recent acquisition freshly arrived this morning.
Some weeks ago I came across an Etsy store specialising in the painting of miniature Icons and based in Moscow Russia. Although their work was indeed miniature it wasn't small enough for 1:12th scale but after a couple of emails to the wonderful Anna and Roman they accepted to make me three icons in various examples of 'smallness' and in fine wood. Just a few days ago I received a photo of the finished work and hardly believing my eyes I paid and waited and today voila! 
Russia seems to be a hub of incredible talent and I often come across artisans there who make everything from baskets to jewellery and paintings. I have found many wonderful pieces there in the past, such an incredible people, such an incredible country.
Years ago I was sent to work in Moscow, to design a shop for the Gum, the Red Square department store now home to many famous labels. The project fell through but my time there was a real eye opener as it was barely post 'freedom' and still reeling from the effects of isolation. Once I got over the presence of armed body guards and bullet proof windows I adapted quickly and was able to get free of my 'friends' and discover the city for myself. I even managed to persuade the guards at the gate to let me into the Kremlin and visit the many cathedrals therein. It was the most incredible experience as I was almost alone and could take in the sheer scale and effect of the architecture.

In the first photo you can not comprehend the scale so look at the second one!
The ruler is in centimètres not inches. I am so enthralled by the detail even in the tiny tiny one that is just a sneeze away from being lost in time. The toothpicks give an even more astonishing idea of scale and detail. 
I had them painted to put into the Chinoiserie bedroom where I wanted to mix elements of different cultures. I am now terrified that I will lose these pieces so I have to find a way of setting them into small alters in order to be able to handle them.

From their store you can get an idea of the price of their work which is incredibly accessible for such museum quality art work. I am fortunate to have them and they will add to my small collection of original art in Ramsay House.
I will definitely go back and purchase more and have an idea to do a wall of them!

https://www.etsy.com/shop/OrthodoxSmallIcon